Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
I always figure I have this tree and there's always some green fruit that's not ready to pick or blossoms that are ready to flower; there are always some ready to drop off too.
Mostly, I'm in the very enviable position that no one dictates what I do.
There's a line of dancers waiting to get into Sydney Dance Company.
No one was creating and I always wanted to be created on.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.