Some are less giving, others are more reticent and you actually have to create for them. Others have within them the next step.

I'm in the position to pick the cream of the crop.

If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

I look at the dancers and I get the inspiration for the work from them.

Mostly, I'm in the very enviable position that no one dictates what I do.

I'm interested in people who can take the movement somewhere.