No one was creating and I always wanted to be created on.
I'm interested in people who can take the movement somewhere.
SDC has a great reputation for putting live music on stage.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
There's a line of dancers waiting to get into Sydney Dance Company.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.