No one was creating and I always wanted to be created on.

I actually build my dreams around the dancers I've got in my company.

There's a line of dancers waiting to get into Sydney Dance Company.

If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.

I look at the dancers and I get the inspiration for the work from them.

I'm not interested in a group of people with some sort of incredible homogeny,a group that can do the movement I want. I'm interested in people whocan take the movement somewhere.

For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical telling of it.