Sentimentality - that's what we call the sentiment we don't share.

So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.

God is love. I don't say the heart doesn't feel a taste of it, but what a taste. The smallest glass of love mixed with a pint pot of ditch-water. We wouldn't recognize that love. It might even look like hate. It would be enough to scare us - God's love.

For God's sake stop making people in your image. Harry was real. He wasn't just your hero and my lover. He was Harry. He was in a racket. He did bad things. What about it? He was the man we knew.

When I replied that I loved her too in that way, I was the liar, not she, for I never lose the consciousness of time: to me the present is never here: it is always last year or next week.

We'd forgive most things if we knew the facts.

The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn.