When you visualized a man or a woman carefully, you could always begin to feel pity . . . that was a quality God's image carried with it . . . when you saw the lines at the corners of the eyes, the shape of the mouth, how the hair grew, it was impossible to hate. Hate was just a failure of imagination.

There was a tacit understanding between them that 'liquor helped'; growing more miserable with every glass one hoped for the moment of relief.

Doing nothing, badly.

A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.

Death never mattered at those times - in the early days I even used to pray for it: the shattering annihilation that would prevent for ever the getting up, the putting on of clothes, the wathchign her torch trail across to the opposite side of the common like the tail-light of a low car driving away.

One gets started, and then, suddenly, one cannot remember what toothpaste they use . . . the moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.

It's a pity people pick and choose what they learn from the Bible.