I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words. I use everything. Turning life into stories is how I make sense of my experience.

Kipling: Where's your sense of humor? Rebis: We're working on reconstructing it.

Everyone does magic all the time in different ways. "Life" plus "significance" = magic.

I prefer working out of strict continuity, because no normal human being can have a firm grip on the constantly shifting bardo-like territory of a comics universe, where entire histories can be erased by a strong enough super-sneeze.

I'm the evil mastermind behind the scenes. I'm the wicked puppeteer who pulls the strings and makes you dance. I'm your writer.

The first light had cast the first shadow.

I don't ignore continuity, and try my best to stick as closely to the current status quo as possible, but it's not my primary concern when I start a story.