I was just a quiet kid, really. I wasn't the class clown at all.

Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.

There's times when I'll see a show, or something cooking on TV, and think, "That can really be fun when it's working." But it's a grind. I did that at NBC, it was five days a week. I was doing Talk Soup and Later at the same time. It's a hard job, more difficult than people realize.

The tragic element of a character is always intriguing I think.

Cher's great, she's incredible. She is an enormous, enormous star, who goes anywhere and crowds follow her...and yet she's a disciplined actress and she's down to Earth and cool. I can't say enough good things about her.

Here's the thing about movies, all movies end up on television. That's their life. Whether you like it or not, I don't care how much money you spend on it, or how big or broad the film is, or who the actors are in it, eventually it's all coming out of the box.

She is such a scene-stealer. She's got these lashes and big eyes, and when she walks on to the set everybody just says "ooh."