Greg Kinnear Quotes

I'm happy to report that everybody whose face I've wanted to punch on Earth has already been punched.

I went door-to-door selling cable television subscriptions when I was in college. I found it incredibly difficult, doing that kind of sales work. I would have thought I'd be good at it, but I wasn't. It's so easy in acting. Everything falls into place when they write that you're a salesman. People just say yes, and then it's great.

Sometimes I look back and think, 'Good. I'd love to go in and bang out a good episode of 'Talk Soup' today.'

Jack Nicholson is fairly gifted. We were at the Sistine Chapel, and everybody went from looking straight up to looking across the room at him.

Ultimately, I'm not so sure that, as a person, I'm all that interesting.

I don't consider a lot of actors that I really admire movie stars.

Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?

I had interest in acting. I started as a drama major in college. I got to school and said, "What am I going to do with this?" But I didn't know anybody in the business, and it seemed like - I don't know. I had a teacher who said "Less than 1 percent of you will ever make a living being an actor." That was how we opened the semester.

Of course, actors look forward to the day when they can do a big courtroom scene.

The tragic element of a character is always intriguing I think.

It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.

I'm a terrible procrastinator. When we go to the airport, if they're not literally closing the door behind my sweaty, hyperventilating body, I feel I've been there too long.

When I look back on my childhood, I think of that short time in Beirut. I know that seeing the city collapse around me forced me to grasp something many people miss: the fragility of peace.

Most actors are very deeply passionate about their line of work. I suppose there are probably people who sell insurance policies that are passionate about it, but I'm thinking the ratio is a little higher for actors. But, I may be wrong.

There's something in human nature, the trying-to-get-on-with-it quality of people, the struggle to maintain or keep the show going can be exhausting. It just seems like that element of trying to move forward while things are breaking down... Obviously, it's always been the backdrop for a lot of great literature and great cinematic characters, but aside from that, I'm just drawn to it because that feels honest to me.

You learn more about a person from the people around that person than you do from the person themselves. We all have our own ideas of who we are that may or may not be justified, and you can really find out a heck of a lot more accurately from the people around an individual.

I really don't make a concerted effort to try to find a type of role. Maybe I've just done enough of them now where people are like, "Oh, it's the guy that's in a swirling vortex of despair, send it to Kinnear!" I don't really know, but it does seem to be a recurring theme.

I was always explaining why my term papers were never on time. I think that's where I got my acting training!

I don't think there's any connection between my journalism career and my film career. They are two totally different mediums and very different skills.

Cher's great, she's incredible. She is an enormous, enormous star, who goes anywhere and crowds follow her...and yet she's a disciplined actress and she's down to Earth and cool. I can't say enough good things about her.

Everybody's family has problems.

Setting goals can blind you to opportunities. You might be trying to get to point C. When opportunity B comes, you don't even look at it because you're going straight to C.

Here's the thing about movies, all movies end up on television. That's their life. Whether you like it or not, I don't care how much money you spend on it, or how big or broad the film is, or who the actors are in it, eventually it's all coming out of the box.

You don't get to pick your partners in families; you get assigned a seat at the table.

Well, I don't know what image people have of me.

I'm very leery of show business, having been in Los Angeles for the last 10 years. Buzz is a dangerous thing that I've heard applied to a lot of people that I've since not heard of again.

Audiences don't ever disappoint me, in the sense that movies I feel really good about, they usually feel really good about too.

I've never had a clear road map. When things come along, I benefit.

Part of filmmaking is always a guessing game, and part of it is always a game of trust.

I've always thought Mexico City was incredibly dynamic.

My family moved - first to Washington, D.C., and then, in the spring of 1975, to Lebanon, where my father worked as a diplomat at the American embassy. My parents were enthusiastic about the move, so my older brother and I felt like we were off to some place kind of cool.

I like complicated characters.

I was a halfback on an American football team in Athens, Greece - the Kississia Colts - where I went to high school, and we took the Cup my senior year. The downside, and somewhat unfortunate piece of information I have to pass on, is there were only two teams in the league because of the limited amount of Americans.

There's no harmony in most people in a way, and I'm attracted to it, and I think it makes for good storytelling.

The irony is that you can't use real rain to make movies.

Whenever Hollywood gets involved with real life events, certain liberties have to be taken.

If a woman has one cat, it will invariably turn into 20.

There is a gambling element to being somebody who is going to take on the job of constantly trying to represent and prop up people who might be somewhat shady. That notion is probably part of how they got the rap. But, I have to find the balance of being colorful, being at times despicable, and also being somebody who does believe in something.

When you have a director who has work you can identify from the past, it gives you some reference point as to what their interpretation of the story might be, and how that might jibe, right or wrong, with how you see it. But with a first-time director, you don't really know where you're at.

There's times when I'll see a show, or something cooking on TV, and think, "That can really be fun when it's working." But it's a grind. I did that at NBC, it was five days a week. I was doing Talk Soup and Later at the same time. It's a hard job, more difficult than people realize.

In my sophomore year, a kid told me that the secret to getting women is to play really, really hard to get. I followed his advice, and I didn't have so much as a date that year.

I went door-to-door selling cable television subscriptions when I was in college. Not to date myself, but cable was just coming on. I had terrible territories, and they would give me $25, if I got somebody to let them come and just put the little cord in their house.

I was just a quiet kid, really. I wasn't the class clown at all.

I was 12 when my parents told me we were moving to Lebanon. I remember thinking, 'Leba-who?' I had absolutely no concept of the place.

We all have to lead double lives, not just celebrities. The face we put on publicly with our jobs and certain situations. I think that's part of the human condition.

When I was a kid, I was obsessed with this idea of opening a restaurant back in Indiana on a little pond. The guests would order their dinner and then take a little boat out with a colored flag on the front of it. When the matching color of the flag on their boat went up on a flag pole, their dinner was ready!

My adolescence was all tits and champagne. I'm downplaying the magic of it all.

The automotive corporations, including Ford, I think are in the business of trying to make cars that people will drive.