There's something in human nature, the trying-to-get-on-with-it quality of people, the struggle to maintain or keep the show going can be exhausting. It just seems like that element of trying to move forward while things are breaking down... Obviously, it's always been the backdrop for a lot of great literature and great cinematic characters, but aside from that, I'm just drawn to it because that feels honest to me.

You learn more about a person from the people around that person than you do from the person themselves. We all have our own ideas of who we are that may or may not be justified, and you can really find out a heck of a lot more accurately from the people around an individual.

When you have a director who has work you can identify from the past, it gives you some reference point as to what their interpretation of the story might be, and how that might jibe, right or wrong, with how you see it. But with a first-time director, you don't really know where you're at.

My grandfather had two boys, my uncle had three boys, my dad had me and my two brothers, each of my brothers have had two boys. Then something happened with the chromosomal experiment and suddenly I've got three girls.

I'm happy to report that everybody whose face I've wanted to punch on Earth has already been punched.

Audiences don't ever disappoint me, in the sense that movies I feel really good about, they usually feel really good about too.

The tragic element of a character is always intriguing I think.