It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.

She is such a scene-stealer. She's got these lashes and big eyes, and when she walks on to the set everybody just says "ooh."

I was 12 when my parents told me we were moving to Lebanon. I remember thinking, 'Leba-who?' I had absolutely no concept of the place.

You learn more about a person from the people around that person than you do from the person themselves. We all have our own ideas of who we are that may or may not be justified, and you can really find out a heck of a lot more accurately from the people around an individual.

Whenever Hollywood gets involved with real life events, certain liberties have to be taken.

It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.

Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.