I love love. Growing up, I always thought it was a state, and I'd wait for it to appear. Now I think it's an activity, a skill, something you strive to create. A constant conversation between emotion and imagination and flesh.

In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.

The only way the band could make any money was by going on tour. But going on tour meant we had to get time off from our jobs, and we couldn't get enough time off to make enough money from touring to survive, so the only way to try was to quit our jobs. None of us had a job that was so wonderful that we were just dying to keep it.

Our music was meant to be motivational, we thought it would be interesting - when you have a breakup, or when you have hard times with your honey, you know, hard times in life, you can feel sad about it, or you can sometimes, take a dark time and make it, like, One lumen nicer, you know what I mean?

Usually if someone starts making universal claims, I tune right on out.

It's weird to me to even say, "I wrote this song." I never feel like I wrote it; I feel like I heard it.

I've found that writing and playing music has so little to do with will, and so much to do with just finding what's there waiting for you.