My projects are just side effects of what I obsess over, what I chat about, what random things pop into my head, what I dream at night.

I'm against American corporations buying politicians to remove limits to greed, capitalizing on other people's misery, actively creating misery on which to capitalize, "financializing" every moment of our enslaved lives. Then when China or somebody takes over, then it will be [them] doing those things that I'll be against.

When it comes down to intuition, when it comes down to gut feelings about whether a song is right, you can get distracted with words, rationalization. There's nothing wrong with music school, but part of music school has to be the ability to forget all of it, too.

I've learned it's a human responsibility to create fun, not just wait for it.

Our music was meant to be motivational, we thought it would be interesting - when you have a breakup, or when you have hard times with your honey, you know, hard times in life, you can feel sad about it, or you can sometimes, take a dark time and make it, like, One lumen nicer, you know what I mean?

The only way the band could make any money was by going on tour. But going on tour meant we had to get time off from our jobs, and we couldn't get enough time off to make enough money from touring to survive, so the only way to try was to quit our jobs. None of us had a job that was so wonderful that we were just dying to keep it.

I feel vulnerable when my ego is threatened - if I get jealous of another band's good time slot at a big festival, if I'm about to get clobbered in a political debate, if I'm trying to impress someone I have a crush on. It's the opposite of openness, letting go, allowing deep feelings to express themselves. For me, that comes from playing music and from kissing.