It is really important to have an obsessive need to construct something, to understand something from your own experience.

I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.

We all strive to find moments of clarity, of order.

It is really important to have an obsessive need to construct something, to understand something from your own experience.

I think that, in a sense, there's something about photography in general that we could associate with memory, or the past, or childhood.

I have always been fascinated by the poetic condition of twilight. By its transformative quality. Its power of turning the ordinary into something magical and otherworldly. My wish is for the narrative in the pictures to work within that circumstance. It is that sense of in-between-ness that interests me.

Making that final commitment is really hard. Because once you decide to move forward, it becomes a whole process which is really hard to stop.