I'm not that particularly talented in terms of making anything or - I'm not technically efficient. I certainly don't know how to draw very well or paint, and I'm not good with computers. But I think the thing that I'm good at is willing something into life, no matter what. I do what it takes to get it done.

I have always been fascinated by the poetic condition of twilight. By its transformative quality. Its power of turning the ordinary into something magical and otherworldly. My wish is for the narrative in the pictures to work within that circumstance. It is that sense of in-between-ness that interests me.

For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.

Originally, one of the reasons I was drawn to photography, as opposed to painting or sculpture or installation, is that of all the arts it is the most democratic, in so far as it's instantly readable and accessible to our culture. Photography is how we move information back and forth.

The viewer is more likely to project their own narrative onto the picture.

It is really important to have an obsessive need to construct something, to understand something from your own experience.

Making that final commitment is really hard. Because once you decide to move forward, it becomes a whole process which is really hard to stop.