I was doing an interview with Charlie Rose and he said, "What do you think about Margaret Thatcher?" - and I had not heard she had died at this point - and he said, "Is there any kind of Shakespearian overtone here?" I said, "Well, actually, Julius Caesar, because ever if a politician was stabbed in the back, it was Mrs. Thatcher, by all her conspiratorial cabinet, which really did just stab her in the back." It's a rather interesting resonance.

I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.

There's a wonderful author named Can Themba, who said that Africa extends a fraternal handshake to Shakespeare. That William Shakespeare would have recognized Elizabethan England more readily in Africa today than in England today.

Sometimes the parallels that are brought in can make the play seem less relevant; you can deny a play's application to the universal by making it too specific. Sometimes having a modern context does make things easier to grasp; sometimes, you go, "Why have they got swords?" "Why didn't Juliet just text Romeo? Why did she bother posting a letter? Why was the Milan post service so bad?" It throws up irrelevant questions that don't help.

I don't think Vladimir Putin goes to the theater enough to even deign to think there was any criticism intended. We were invited by Moscow. Maybe they wanted a particular production of Julius Caesar in order to remind Putin that he was vulnerable, but that wasn't our intention.

I was doing an interview with Charlie Rose and he said, "What do you think about Margaret Thatcher?" - and I had not heard she had died at this point - and he said, "Is there any kind of Shakespearian overtone here?" I said, "Well, actually, Julius Caesar, because ever if a politician was stabbed in the back, it was Mrs. Thatcher, by all her conspiratorial cabinet, which really did just stab her in the back." It's a rather interesting resonance.

What's depressing, in a way, thinking of Margaret Thatcher legacy - and she was no doubt great in many ways - but the arts in the UK are still having to justify that it is a profitable business rather than a frivolity. It's one of the greatest UK exports, one of the reasons people come to the UK, and yet we're still having to justify our existence in terms of funding.