I think when you're a teenager, you always feel as if life is happening somewhere else - it certainly isn't happening to you. And then you get to the place where you think your life is supposed to be, and you look around and realize it doesn't exist.

A lot of my friends are struggling. A lot of my friends didn't make movies, which was really hard and sad. I'm good friends with this film collective, Red Bucket, which made Daddy Longlegs and The Pleasure Of Being Robbed. They're climbing the walls. They're all making cartoon booklets now, because they can't raise the funds to make another movie. But I think that when it returns, which it hopefully will, there will be another surge of energy.

I like movies about women behaving badly, because women behave badly just like men, and we're not always adorable and cute about it.

Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."

I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.

In college, it's very easy to maintain your female friendships because you're in such close proximity all the time.

If you're with one person, then you don't have to meet other people. It's like when you're acting in a movie, you don't have to audition for other movies. I prefer that.