I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.

I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.

There are a million little things, but one of the best ways to get to know characters is to just put them in situations and see what they say.

I think in theater the playwright is king. Those words are unchangeable. They are the reason that everything else flows from.

There's no such thing as cheating when you're 18. That's just true. I'm very endeared by this notion of the way adolescents practice being grown ups and practice for adult morality. I remember when I was 15 and people were starting to date and someone cheated on someone. They'd say, 'He cheated on her. You know what they say, once a cheater always a cheater.'

I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.

A lot of my friends are struggling. A lot of my friends didn't make movies, which was really hard and sad. I'm good friends with this film collective, Red Bucket, which made Daddy Longlegs and The Pleasure Of Being Robbed. They're climbing the walls. They're all making cartoon booklets now, because they can't raise the funds to make another movie. But I think that when it returns, which it hopefully will, there will be another surge of energy.