I'm interested in the feeling of getting to zero after a play, like you're never going to do it again. That's a really scary feeling.

I didn't know the city at all, but I was so happy to be in New York I cried. I was so excited.

Using the energy in a scene can really cut the fat off of something and streamline it. It can make it work for you and activate it for you in a way.

I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.

Let your characters talk to each other and do things. Spend time with them - they'll tell you who they are and what they're up to.

If you're with one person, then you don't have to meet other people. It's like when you're acting in a movie, you don't have to audition for other movies. I prefer that.

In relationships, you learn a million things. I'm sure a therapist can tell you about it.