I'm interested in the feeling of getting to zero after a play, like you're never going to do it again. That's a really scary feeling.

In relationships, you learn a million things. I'm sure a therapist can tell you about it.

When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.

Sometime female characters, especially in the genre of something that people consider rom-com, make mistakes in a cute way or they're a mess in a way that's palatable. I like that.

I’m not saying that everyone needs to be celibate, but you don’t need a romance to complete a story about a woman

There's an economy in sports that I always think is a useful metaphor for acting. You have an objective. You're trying to win, and of course, you want to do well. You want to use good techniques so you enforce it, but also you don't do things you don't have to do. It's very economical, and I think that in acting the most economical way through a scene is always the best. It's active. There is the sense of the fight and you want to win.

In college, it's very easy to maintain your female friendships because you're in such close proximity all the time.