I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again. I like a lot of structure and a lot of lines, but then within that I make room for things to happen that you couldn't have predicted.

I don't do well when I don't work.

I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.

I'm not someone who's an immigrant who's struggling in that way, but between New York and L.A., I had someone tell me very early on, "If you're going to be broke anywhere, it's better to be broke in L.A. At least the weather is nice." I was like, "You're right." I didn't take them up on that.

Everybody's got a dud. You can't get out of it. That's the price of admission: you'll get some duds. You'll get some things where you missed a little. It's a crap feeling when you're going through it. But the main thing is as long as you're not doing anything for cynical reasons, then you'll be okay.

I love New York, but it's a rough city. It's not dangerous now the way it was in the 70's or the 80's, but it's still a rough city. It's hard to hack it there. Life is harder than it is on the West Coast. To be able to deal with that, you have to have a lot of aspirational feelings pinned on being there.

In relationships, you learn a million things. I'm sure a therapist can tell you about it.