Any musician with a slight level of self-awareness can be taught to write a 'good' song. A great song is completely original. It feels as if the performer is the only person who could bring it to life.

I'd be the outsider gal who undergoes a makeover in the end [in the 'The Breakfast Club' ].

A great song awakens something in your body / mind / spirit or history that you had forgotten about. It ignites some emotional kindling that you didn't even know you had stored. It awakens you to a possibility for the future - be it hope or excitement - that you never knew was possible.

I want them to have a desirable experience in whatever way that may manifest itself in each person.

My main influences are pop and folk music - Bob Lind, Neil Young, Joni Mitchell, Bob Dylan, the Motown collection, The Zombies, Elliott Smith, and a ton of 70's AM radio hits. I love powerpop too.

From a literary standpoint, I've been loving Raymond Carver's short stories, William Carlos Williams' poems, Richard Siken's 'Crush', John Fante, and Jim Harrison's book of ghazals. I love film and photography too, so many of my songs are very image rich from those influences.

I wrote a song at age five about algae on the pond by our house, then the next 'real' song was in fifth grade about an unrequited crush.