It's fun to play a character when you can't concern yourself with how sympathetic they are.

The thing about being a parent it puts priorities in order. Thank God, you're not totally focused on yourself anymore. You get to put your energy out, as opposed to worrying all the time about your own stuff. It's such a relief, but when you think about it, it's like an extension of you. It's like a safer way; you feel less indulgent about it, but they are extensions of yourself, and I think you're freer to love them so unconditionally. That, we're not able to do with our own selves.

Hopefully, I'll just get to be part of good films and work with good people, and that's how it will develop.

The interesting thing about Bettie Page that I discovered was to leave the mystery. She always retained a little mystery. Let there be some unknowns.

The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

In a way I'd say it's maybe more satisfying to do a play, because there is a beginning, middle, and end. But I also really enjoy the television experience, because there's a certain part of it that you have to let go of and trust in that process.