It's fun to play a character when you can't concern yourself with how sympathetic they are.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

Hopefully, I'll just get to be part of good films and work with good people, and that's how it will develop.

If my life had gone in a different direction - some of the choices you makes when you're in your teens and your early 20s, I fortunately feel that I haven't been marked by those things.

The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.

People were always able to look at Bettie Page and see what they needed her to be and she gave them that permission to do so. So in that way she's a feminist but I don't think she was ever trying to be.

I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.