When I leave the theater I can always hear people talking about the character, and everyone always says, "You know, I know someone like her." And I always think, Everyone knows someone like the characters; nobody is like the character. Nobody wants to admit that they are a little bit like that.

Donnie Brasco was great, but the energy on the set made it kinda hard to get in there and have an opinion.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

If my life had gone in a different direction - some of the choices you makes when you're in your teens and your early 20s, I fortunately feel that I haven't been marked by those things.

It's not like I have a master plan or anything.

I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.

The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.