The interesting thing about Bettie Page that I discovered was to leave the mystery. She always retained a little mystery. Let there be some unknowns.

You can kind of ask around for details. You might get a little information here and there, even from the other actors, or "One person heard that..." I feel like the writers are always leaving their options open.

I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.

The first people that have the information are the hair and makeup ladies and the wardrobe people, because they often have to plan out the clothes: the things that are gonna get bloody, and the different kinds of gunshot wounds they're gonna have to do. They often have more of a preparation, more time, than we do. You can definitely feel on set the actors trying to get that information, and they're of sworn to secrecy.

The thing about being a parent it puts priorities in order. Thank God, you're not totally focused on yourself anymore. You get to put your energy out, as opposed to worrying all the time about your own stuff. It's such a relief, but when you think about it, it's like an extension of you. It's like a safer way; you feel less indulgent about it, but they are extensions of yourself, and I think you're freer to love them so unconditionally. That, we're not able to do with our own selves.

The interesting thing about Bettie Page that I discovered was to leave the mystery. She always retained a little mystery. Let there be some unknowns.

The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.