History is not truth versus falsehoods, but a mixture of both, a mรฉlange of tendencies, reactions, dreams, errors, and power plays. What's important is what we make of it; its moral use. By writing history, we can widen readers' thinking and deepen their sympathies in every direction. Perhaps history should show us not how to control the world, but how to enlarge, deepen, and discipline ourselves.
Gretel EhrlichBetween highway sounds I heard waves and thought how the curve of the coastline here had sheltered and nurtured live-born sharks, humans, and migrating whales. Here, at the edge of the continent, time and distance stopped; in the lull between sets of waves I could get a fresh start.
Gretel EhrlichAll through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call "aware"--an almost untranslatable word meaning something like "beauty tinged with sadness.
Gretel EhrlichThere is nothing in nature that can't be taken as a sign of both mortality and invigoration.
Gretel EhrlichWhat Flaubert refers to as the โmรฉlancholies du voyageโ is like the sadness I feel as one season departs and another arrives.
Gretel EhrlichThe toughness I was learning was not a martyred doggedness, a dumb heroism, but the art of accommodation. I thought: to be tough is to be fragile; to be tender is to be truly fierce.
Gretel EhrlichLove life first, then march through the gates of each season; go inside nature and develop the discipline to stop destructive behavior; learn tenderness toward experience, then make decisions based on creating biological wealth that includes all people, animals, cultures, currencies, languages, and the living things as yet undiscovered; listen to the truth the land will tell you; act accordingly.
Gretel Ehrlich