Between highway sounds I heard waves and thought how the curve of the coastline here had sheltered and nurtured live-born sharks, humans, and migrating whales. Here, at the edge of the continent, time and distance stopped; in the lull between sets of waves I could get a fresh start.

To rise above treeline is to go above thought, and after, the descent back into bird song, bog orchids, willows, and firs is to sink into the preliterate parts of ourselves.

Gary Snyder's The Practice of the Wild is an exquisite, far-sighted articulation of what freedom, wildness, goodness, and grace mean, using the lessons of the planet to teach us how to live.

We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize.

Turbulence, like many forms of trouble, cannot always be seen. We bounce so hard my arms sail helplessly above my head. In evolution, wing bones became arms and hands; perhaps I'm de-evolving.

June marked the end of spring on California's central coast and the beginning of five months of dormancy that often erupted in fire. Mustard's yellow robes had long since turned red, then brown. Fog and sun mixed to create haze. The land had rusted. The mountains, once blue-hued with young oaks and blooming ceanosis, were tan and gray. I walked across the fallen blossoms of five yucca plants: only the bare poles of their stems remained to mark where their lights had shone the way.

I thought: to be tough is to be fragile; to be tender is to be truly fierce.