Every movie is wildly different. So many of the problems are the same, but they take on different guises.

Every time I act in something, I learn something about what the director is doing. One feeds the other.

I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.

I only got to be able to act, because I gave myself a job as a producer.

I produced six movies with Amy Robinson since the very early 80s.

It struck me that working digitally with a small crew, I could lay out a general plan for Famous and hope for mistakes which would create something more than satire and something less than truthful reality.

As a director, I've been able to combine with what I've learned as an actor and as a producer: it melds quite nicely into what I feel like I should have been doing all along.