I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.

Every time I act in something, I learn something about what the director is doing. One feeds the other.

I'm being told it saves money to shoot in Toronto, because of tax benefits, the crews are cheaper, but what I save in the bottom line, I lose in a million other ways.

If movies are set in New York, they really should be shot in New York.

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.

Documentaries have always inspired me in narrative filmmaking.

If I knew that, I'd fall in love over and over again. Hearts aren't supposed to be mended. If you fall in love and it doesn't work out, you get a broken heart. What comes out of that will make you a better lover and partner next time.