But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time.

If I knew that, I'd fall in love over and over again. Hearts aren't supposed to be mended. If you fall in love and it doesn't work out, you get a broken heart. What comes out of that will make you a better lover and partner next time.

In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.

Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.

I produced six movies with Amy Robinson since the very early 80s.

I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.

Every movie is wildly different. So many of the problems are the same, but they take on different guises.