The last thing I think about when I'm making music is its reception.

It's really hard to be on stage and packing your gear when people who just saw you play are in the room, because they all just want to talk to you.

In America there's lot of cool cities, but in Canada there's, like, well, Vancouver, Toronto and Halifax may be cool, but they're so expensive. Montreal is the only city that's affordable but also has buses and culture.

Usually when I make music, in my head I'm like 'this isn't Grimes, this is just some other project that you can release later, so there's no pressure and it doesn't matter and no-one's ever gonna hear it'.

The most valuable live thing for me is when people look like they're having a good time.

I get offers to do huge-budget music videos with big production companies all the time, but I have no interest.

I believe the human mind is a very fallible thing, but it's the only thing that I can really know, I guess.