You rarely find someone who sings really well and who produces really well; it's a problem, and I just think it's a missing link in the music scene.

When an artist, or whomever, moves from their scene to the bigger pond, it starts getting crazy, because all of a sudden people don't respect you, and you have to start being a lot more aggressive than you would normally be.

I grew up with four brothers, and in the back of my head I feel pretty masculine. It's always funny when I hear recordings of my voice, because it's so deep when I hear it in my head.

By the time I'm 50, there is probably going to be a nuclear holocaust. I should just enjoy myself.

I cry really easily. If I see a butterfly, I'll practically burst into tears. So it's really hard for me to yell at people, because I'll feel so guilty about it. But if I don't, then they don't take me seriously and it's this endless cycle.

Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.

I think my music's kind of cold, but I don't know if it's related to the weather. It might be because it's always grey [in Montreal], it's very depressing.