I usually like to get people in because I don't have a band or anything. In cities where I have friends, I try to get them to come out and dance for me.

My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me "witch house."

Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.

I cry really easily. If I see a butterfly, I'll practically burst into tears. So it's really hard for me to yell at people, because I'll feel so guilty about it. But if I don't, then they don't take me seriously and it's this endless cycle.

If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.

Usually when I make music, in my head I'm like 'this isn't Grimes, this is just some other project that you can release later, so there's no pressure and it doesn't matter and no-one's ever gonna hear it'.

Whenever I'm making music I'm always waiting for the shivers to happen - that's an important thing for me.