I only work at night, generally. Usually when I work [during the day] I'll black out the windows or something.

I don't even wear shoes with heels because I hate making a noise when I walk and people looking at me.

I know texture is really important, but I think texture and stuff precedes songwriting a lot of the time these days.

When an artist, or whomever, moves from their scene to the bigger pond, it starts getting crazy, because all of a sudden people don't respect you, and you have to start being a lot more aggressive than you would normally be.

Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.

The last thing I think about when I'm making music is its reception.

Just because something might not have a deep philosophical meaning doesn't mean it's not important or relevant.