If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.

I feel like gender lines are changing. A couple of years ago, it wasn't nearly as OK for guys to like girly-sounding music. But all of a sudden a lot of my guys friends who would like have been really disdainful of female singers are way more accepting.

I have an intense desire to constantly make music, and I don't feel that way about anything else.

If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.

The last thing I think about when I'm making music is its reception.

My manager lives on my block; four of the apartments in my apartment complex of seven are people I know. It's a really close-knit community, and almost everyone on these few blocks are artists or graphic designers, because we live right on the cusp of a warehouse district.

I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.