I shall speak of how melancholy and utopia preclude one another. How they fertilize one another... of the revulsion that follows one insight and precedes the next... of superabundance and surfeit. Of stasis in progress. And of myself, for whom melancholy and utopia are heads and tails of the same coin.

Art is accusation, expression, passion. Art is black charcoal crushing white paper.

Love That’s it: The cashless commerce. The blanket always too short. The loose connexion. To search behind the horizon. To brush fallen leaves with four shoes and in one’s mind to rub bare feet. To let and rent hearts; or in a room with shower and mirror, in a hired car, bonnet facing the moon, wherever innocence stops and burns its programme, the word in falsetto sounds different and new each time. Today, in front of a box office not yet open, hand in hand crackled the hangdog old man and the dainty old woman. The film promised love.

I wept when the muse Ulla bent over me. Blinded by tears I could not prevent her from kissing me, I could not prevent the Muse from giving me that terrible kiss. All of you who have ever been kissed by the Muse will surely understand that Oskar, once branded by that kiss, was condemned to take back the drum he had rejected years before, the drum he had buried in the sand of Sapse Cemetery.

I catch myself judging myself as that 13-year-old boy, who, of course, rightfully points out that he is only a child. And my membership - well, I was drafted into the Waffen-SS and didn't exactly volunteer, which was just as idiotic. I wanted to be on the submarines and then ended up with the Waffen-SS.

Who can deny that the environment has been destroyed?

If Jesus had been a hunchback, they could hardly have nailed him to the cross.