I'm normally drawn to something I haven't done and seen before.

In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.

I don't think American independent films have ever really been particularly experimental, except for the original guys from the '60s who were huge influences, like Stan Brakhage, Robert Breer, and Stan van der Beek. They were the true independents.

Modern-day cinema takes the form of a sermon. You don't get to think, you only get to receive information.

I was petrified because all my friends would be going to Washington, DC, to protest. I was sixteen, and I was like, "I don't think I'll be going with you guys," just because I was scared. Then you saw the news, and cops - not students in schools with guns - cops are killing sixteen year old protesters on the news. To me that was more horrifying, to have the authority figures actually killing people on the evening news, than to have another student firing a gun.

It's hard to speculate as a human about the afterlife because you're not in it. And it's probably as wild and wacky as you could imagine. The idea that people have figured it out, I'm not sure if I can fathom that.

Yeah, I try to be really calm.