The spectacle is not a collection of images, but a social relation among people, mediated by images.

The advertisements during intermissions are the truest reflection of an intermission from life.

Behind the masks of total choice, different forms of the same alienation confront each other.

What is false creates taste, and reinforces itself by knowingly eliminating any possible reference to the authentic. And what is genuine is reconstructed as quickly as possible, to resemble the false.

Revolution is not 'showing' life to people, but making them live. A revolutionary organization must always remember that its objective is not getting its adherents to listen to convincing talks by expert leaders, but getting them to speak for themselves, in order to achieve, or at least strive toward, an equal degree of participation.

Like lost children we live our unfinished adventures.

The more powerful the class, the more it claims not to exist.