He will essentially follow the language of the spectacle, for it is the only one he is familiar with.

In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.

Boredom is always counter-revolutionary. Always.

Art... can become the direct organization of more highly evolved sensations.

In a world that has REALLY been turned on its head, truth is a moment of falsehood.

Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior.

In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.