I believe that the profits will come from the quality of your creative products. Since the beginning, I've always wanted to develop a self-feeding circle of creative productions: the positive financial returns from one show would be used to develop and create a new show, and so on.

We didn't reinvent the circus. We repackaged it in a much more modern way.

I like to not be too involved in the beginning and during the process so as to keep this fresh look and be able to give constructive recommendation on the final production.

We had every problems starting a big top could have. The tent fell down on the first day. We had problems getting people into the shows. It was only with the courage and arrogance of youth that we survived.

I believe there are so many other disciplines and themes that we still haven't explored yet. It's infinite what we can apply our creativity to.

We are each but a quarter note in a grand symphony.

Our approach was very simple. It was about creating a universal language. A show that will be attractive toward every people coming from all over the world. And that was a big thing.