The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice.

I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused.

I went through a period where I just wanted to punch everybody. Since then, I've had a lot of therapy and I've figured a lot of things out.

You never really know what the director has got in his mind as far as the scene visually and art direction wise, etc. Even if you do, sometimes there's a side of things that don't necessarily gel the way people intend. So there a bit of a mystical entity, film.

If I'm exhausted, physically and particularly emotionally, I can't tell what's good and I can't tell what's bad and I'm useless.

I think when people are repressing things, or burying things, that can manifest in all sorts of ways.

You can have a great time on a film and the chemistry can seem great but then you look at the finished film and it just doesn't quite gel, something doesn't quite work.