Why writers write I do not know. As well ask why a hen lays an egg or why a cow stands patiently while an underprivileged farmer burglarizes her.

Off goes the head of the king, and tyranny gives way to freedom. The change seems abysmal. Then, bit by bit, the face of freedom hardens, and by and by it is the old face of tyranny. Then another cycle, and another. But under the play of all these opposites there is something fundamental and permanent - the basic delusion that men may be governed and yet be free.

The public, with its mob yearning to be instructed, edified and pulled by the nose, demands certainties; it must be told definitely and a bit raucously that this is true and that is false. But there are no certainties.

Let no one mistake it for comedy, farcical though it may be in all its details. It serves notice on the country that Neanderthal man is organizing in these forlorn backwaters of the land, led by a fanatic, rid of sense and devoid of conscience.

The only good bureaucrat is one with a pistol at his head. Put it in his hand and it's good-bye to the Bill of Rights.

The way to deal with superstition is not to be polite to it, but to tackle it with all arms, and so rout it, cripple it, and make it forever infamous and ridiculous. Is it, perchance, cherished by persons who should know better? Then their folly should be brought out into the light of day, and exhibited there in all its hideousness until they flee from it, hiding their heads in shame.

As for me, my literary theory, like my politics, is based chiefly upon one main idea, to wit, the idea of freedom. I am, in brief, a libertarian of the most extreme variety, and know of no human right that is one-tenth as valuable as the simple right to utter what seems (at the moment) to be the truth