Democracy is grounded upon so childish a complex of fallacies that they must be protected by a rigid system of taboos, else even halfwits would argue it to pieces. Its first concern must be to penalize the free play of ideas.

When a candidate for public office faces the voters he does not face men of sense; he faces a mob of men whose chief distinguishing mark is the fact that they are quite incapable of weighing ideas, or even of comprehending any save the most elemental - men whose whole thinking is done in terms of emotion, and whose dominant emotion is dread of what they cannot understand. So confronted, the candidate must either bark with the pack or be lost... All the odds are on the man who is, intrinsically, the most devious and mediocre.

Five years of Prohibition have had, at least, this one benign effect: they have completely disposed of all the favorite arguments of the Prohibitionists. None of the great boons and usufructs that were to follow the passage of the Eighteenth Amendment has come to pass. There is not less drunkenness in the Republic, but more. There is not less crime, but more. There is not less insanity, but more. The cost of government is not smaller, but vastly greater. Respect for law has not increased, but diminished.

Government, like any other organism, refuses to acquiesce in its own extinction. This refusal, of course, involves the resistance to any effort to diminish its powers and prerogatives.

It seems to me that society usually wins. There are, to be sure, free spirits in the world, but their freedom, in the last analysis, is not much greater than that of a canary in a cage. They may leap from perch to perch; they may bathe and guzzle at their will; they may flap their wings and sing. But they are still in the cage, and soon or late it conquers them.

The saddest life is that of a political aspirant under democracy. His failure is ignominious and his success is disgraceful.

The essence of a sound style is that it cannot be reduced to rules-that it is a living and breathing thing with something of the devilish in it-that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.