A lot of young black people in America, and even in Africa and Brazil, would say that they are telling their story, but most of the films are like application forms with the formulaic ideas of Hollywood.

To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change.

If you never did anything for your own freedom, you're not worth a human being in my view.

You have to keep yourself busy, you have to like the subject matter. If you do it for other causes, other reasons, it doesn't hold you for a long time. There's no other way but struggling, forging ahead to do the film.

The true story is that black people need to tell their history. Very few films are made by black people about slavery. That itself is a crime because slavery is a very important historical event that has held our people hostage. Forget white people's role in it. In the end what's important is black people remain and live with the scars and psychological issues.

For any movement to emerge, it has to be innovatively independent from the mainstream cinema, and I don't see that much.

It's not always expected of filmmakers to do stereotyped stories. But one has to be willing to travel to festivals and hook up with people, engage people intellectually about your passion and the kinds of films that interest you, and sooner or later you find people that have the same affinity that you have.