Autumn is the eternal corrective. It is ripeness and color and a time of maturity; but it is also breadth, and depth, and distance. What man can stand with autumn on a hilltop and fail to see the span of his world and the meaning of the rolling hills that reach to the far horizon?

All walking is discovery. On foot we take the time to see things whole.

I grew up in those years when the Old West was passing and the New West was emerging. It was a time when we still heard echoes and already saw shadows, on moonlit nights when the coyotes yapped on the hilltops, and on hot summer afternoons when mirages shimmered, dust devils spun across the flats, and towering cumulus clouds sailed like galleons across the vast blueness of the sky. Echoes of remembrance of what men once did there, and visions of what they would do together.

Consider the wheelbarrow. It may lack the grace of an airplane, the speed of an automobile, the initial capacity of a freight car, but its humble wheel marked out the path of what civilization we still have.

Listen to it, and you are hearing the mighty currents of the air rushing down the latitudes of the earth, currents from the Mackenzie and the Athabasca and the Saskatchewan, and from the prairies and the white Tundra. It is a homeless wind, forever on the move.

All our yesterdays are summarized in our now, and all the tomorrows are ours to shape.

Of all the seasons, autumn offers the most to man and requires the least of him.