I started thinking about the endless bullshit about quotas, and how certain types of character are fine "as long as it's important to the story," and so on, started thinking about the absence of the abject.
Hal DuncanI wanted to do justice to texts that are in verse in their original, so I tried to invest my version with a comparable poetic power; hence even more literary fireworks there.
Hal DuncanI'm sort of exploring where pacifism and socialism come into conflict. How do you reconcile a passionate rejection of might and violence with an attitude of "nil paseran" - "none shall pass" - in the face of fascism?
Hal Duncan