I'm always writing music. I sort of do it obsessively, for good or for bad. It's good that it keeps me going, but it's bad because it really is sort of like an obsession where you can't stop sometimes and it'll keep you up at night and ruin your weekend.

The great thing is that when you hire string players you always get really great players. I don't know why that is.

I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.

I write songs now I look at my strengths and I start there. In The Walkmen, we'd start with the live stuff.

When we got to the step when we'd normally start collaborating, we started having these talks about how it was not worth getting together. Getting together just didn't feel very inspired, and doing it alone did.

I used to put the vocals on top and piece it together. Now I start with the vocals and the string parts I write; the drums are kind of an afterthought. And who knows, maybe that will get boring, but right now that's the most interesting way for me.

I'm always writing music. I sort of do it obsessively, for good or for bad. It's good that it keeps me going, but it's bad because it really is sort of like an obsession where you can't stop sometimes and it'll keep you up at night and ruin your weekend.