As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.

It's not really difficult to go from one voice into the next. It's like asking you to sing a line of Happy Birthday and then Goodnight Irene - assuming you know the words to both those songs

I've done literally 100, 150 different characters. Some of them have only appeared for a line or three. But the point is, every sound I can make has been harvested.

I would love to do Broadway again.

When you're on a series that's been cancelled, there's a little bit of a stink on you.

When you become deeply involved with someone, their problems become yours, and vice versa. It's family.

I say with pride that I've done over a hundred voices or something, and some of them may have only had two or three lines, but I literally never ran out. I think I'm a bit of a savant that way. I kind of remember every voice I hear, famous or otherwise, and can imitate it pretty fast. I've enjoyed mimicking people famous and not famous all through my life, and they kind of remain in the memory banks, so I'm ready to trot them out.