As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.

Association bring you into the larger world of other people and things. Not having that is a kind of prison, a prison of such a limited consciousness, of such a limited frame of reference and association.

You have to always physicalize, when you do animation recording. Otherwise, you won't get the performance right.

I don't really remember much about the '60s at all. You know, 1970 is the first year I remember pretty well.

A self-help book can't really address a problem unless it's individualized. It's not going to talk about a globalized problem.

I ask for a lot of advice from different fathers - all kinds of dads.

You never know who's going to kill you until you meet them.