You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.

I don't really remember much about the '60s at all. You know, 1970 is the first year I remember pretty well.

You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.

I bartended for a catering company for two or three years...

I've been doing silly voices since I was a child.

Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.

As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.