I've been divorced and I had to get back out there be single again and do some of that in the genuinely miserable state where you really do wonder what the hell is going on. And you feel like trying to have casual conversation with someone you don't know on the surface of the moon or something.

Literally, I see my writing as transcription - a transcription of what I see, hear, think, live.

I'm very happy I get to keep working - it's an insanely fortunate thing.

You have to always physicalize, when you do animation recording. Otherwise, you won't get the performance right.

I was hedging my bets by the time I got to college. I was interested in drama and journalism and psychology.

Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.

As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.