I cannot pay attention to what people say about my work. For me, personally, I am just this shards-and-ashes human being, who really gets upset when someone says something bad about me. If it's true, I cop to it. If I have any good qualities, it's that.

I cannot pay attention to what people say about my work. For me, personally, I am just this shards-and-ashes human being, who really gets upset when someone says something bad about me. If it's true, I cop to it. If I have any good qualities, it's that.

When you're all alone out there, on the end of the typewriter, with each new story a new appraisal by the world of whether you can still get it up or not, arrogance and self-esteem and deep breathing are all you have. It often looks like egomania. I assure you it's the bold coverup of the absolutely terrified.

There is Harlan Ellison the human being, who takes a crap a couple of times a day, and who farts, and who eats chicken croquettes, if I can find them. And then there is the writer, this writer-person, who is a much finer person than I. Much more orderly, much more meaningful. Worthier, than I [am].

It is not merely enough to love literature if one wishes to spend one's life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possiblity of learning a truth about oneself that is too terrible to bear.

The ability to dream is all I have to give. That is my responsibility; that is my burden. And even I grow tired.

With the Internet, the greatest disseminator of bad data and bad information the universe has ever known, it's become impossible to trust any news from any source at all, because it's filtered through this crazy yenta gossip line. It's impossible to know anything.