What I remember myself from films, and what I love about films, is specific scenes and characters.

I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.

I have no desire for any type of introspection at all. I don't ever ask myself any questions. I don't want answers.

I've always been pulled toward people who can't seem to make anything fit. It's like a cinema of isolation, of loneliness. They go outside the system and create their own society to develop their obsession to an insane degree.

What I remember myself from films, and what I love about films, is specific scenes and characters.

If Richard Wagner lived today, he would probably work with film instead of music. He already knew back then that the 'Great Art Form' would include a sort of fourth dimension; it was really film he was talking about.

I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.