Editing is fun for me. That's where you make things happen. Filming a movie, I just try to set things up and see where it goes. Editing is a puzzle. I often don't even know what I'm trying to say. I'm just trying to make myself laugh. That's it. It's musical, or something.

I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.

I like working with family and friends and people I admire. All my movies are filled with family members of some capacity. I think it means more when you have a personal relationship with someone.

Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding. His leaps were big. There was something really great about his moves.

I never cared so much about making perfect sense. I wanted to make perfect nonsense.

Spaceman 3 was one of my favorite bands growing up, and Jason Spaceman is someone I got along well with. I always felt his music was like narcotic gospel - there's something very moody and ethereal about it. Sun City Girls is the same, but different. To me, they're like the premier American avant music act. They're like the Marx brothers of music. I don't mean they're funny like that, but they turn everything on its head.

I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.